Pyotr Tchaikovsky
Modest Mussorgsky
Giacomo Puccini
César Cui. Igor Stravinsky
Gioachino Rossini
Francesco Cilea
Richard Wagner
Richard Strauss
Gaetano Donizetti
Nikolai Rimsky-Korsakov
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Pyotr Tchaikovsky
Georges Bizet
Gioacchino Rossini
Alexander Ostrovsky, music by Pyotr Tchaikovsky
Wolfgang Amadeus Mozart
Umberto Giordano
Richard Strauss
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Ruggero Leoncavallo
Andrei Rubtsov
Dimitry Rostovsky
Wolfgang Amadeus Mozart
Alexei Verstovsky
Giuseppe Verdi
Anton Rubinstein
Benjamin Britten. Camille Saint-Saëns
Mieczysław Weinberg
Sergei Banevich
Modest Mussorgsky
Grigory Frid. Udo Zimmermann
Wolfgang Amadeus Mozart
Georg Philipp Telemann
Sergei Prokofiev
Giuseppe Verdi
Sergei Prokofiev. Maurice Ravel
Dmitry Shostakovich
Tatiana Kamysheva
Georges Bizet
Giacomo Puccini
Jacques Offenbach
Nikolai Rimsky-Korsakov
Dmitry Shostakovich
Hector Berlioz
Nikolai Rimsky-Korsakov
The idea of writing an opera based on Pushkin’s The Stone Guest came to Dargomyzhsky in 1863, however, he approached the work only three years later. According to the composer, he felt frightened by how unusual and brave the task was. “Amusing myself with Pushkin’s Don Juan”, he wrote, “Trying something really rare: writing the music for the scenes from The Stone Guest as they are, not changing a word”. The work moved forward slowly due to the fast-declining health of the composer. The Stone Guest provoked great interest, even at the stage of writing. At the meetings of the Mighty Handful, Dargomyzhsky regularly introduced his associates to the new pages, always saying: “If I die unable to complete The Stone Guest, let César Cui finish the writing and Rimsky-Korsakov orchestrate it”.
Premiered on 11 March 2016.
Presented with one interval.
Act I
Scene One
Don Juan, banished from Madrid for killing the Commander de Solva, has secretly returned. Accompanied by his servant Leporello, he hides near a monastery outside Madrid. Remembering his past affairs, he plans to get in the city to continue his adventures. The Monk tells him that Doña Anna, the widow of the Commander, visits the cemetery every day. Don Juan sees Doña Anna and feels an urge to get to know her.