
Giacomo Puccini

Mieczysław Weinberg

Giuseppe Verdi

Pyotr Tchaikovsky

Giuseppe Verdi

Wolfgang Amadeus Mozart

Benjamin Britten

Grigory Frid. Udo Zimmermann

Carl Maria von Weber — Gustav Mahler

Nikolai Rimsky-Korsakov

Alexander Tchaikovsky

Giacomo Puccini

Alexander Dargomyzhsky

Richard Strauss

Wolfgang Amadeus Mozart

Giuseppe Verdi

Antonín Dvořák

Dmitri Shostakovich

Gaetano Donizetti

Pyotr Tchaikovsky

Sergei Banevich

Wolfgang Amadeus Mozart

George Frideric Handel

Georges Bizet

Pyotr Tchaikovsky

Gioachino Rossini

Dimitry Rostovsky

Giacomo Puccini

Richard Wagner

Richard Strauss

Nikolai Rimsky-Korsakov

Georges Bizet

Dmitri Shostakovich
Alexei Verstovsky

Anton Rubinstein

Wolfgang Amadeus Mozart

Georg Philipp Telemann

Pyotr Tchaikovsky
Guiseppe Verdi

Sergei Prokofiev

Modest Mussorgsky

Antonio Salieri

Gaetano Donizetti

Benjamin Britten. Camille Saint-Saëns

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart

Gioacchino Rossini

Dmitri Shostakovich
Umberto Giordano

Modest Mussorgsky
Hector Berlioz

Giacomo Puccini

Jacques Offenbach

Sergei Prokofiev. Maurice Ravel

Wolfgang Amadeus Mozart

Nikolai Rimsky-Korsakov

Tatiana Kamysheva

A request for a new opera was received by Bizet from the directors of the Opéra Comique, Camille du Locle and Adolphe de Leuven in 1872, almost immediately after his Djamileh had failed in that theatre. In the summer of 1874, the opera was completed. The premiere took place on the 3rd of March 1875 and was received in a cool manner. According to Ludovic Halévy, one of the authors of the libretto, “after the curtain fell, only two or three of Bizet's faithful friends remained in the audience”. “Such veracity, but what a scandal!” critics said in one voice. Despite that, the opera was performed forty-eight times over that year.
The composer did not live long enough to witness the success which awaited his Carmen on the world’s operatic stages. After this death, Bizet’s friend, the composer Ernest Guiraud, replaced the conversational dialogues with recitatives and added a fourth act to music from other compositions by Bizet. It was that edition with which the opera won popularity. In October 1875, the premiere in Vienna was held with great success. Between 1876 and 1878, performances followed in Brussels, Budapest, London, New York and Stockholm, and everywhere Carmen was greeted with ovations. The Russian premiere took place in St Petersburg in 1878 and what is more, it was performed in Italian.
Premiered on 15 July 2015.
Presented with one interval.
Libretto by Henri Meilhac and Ludovic Halévy after the novel of the same name by Prosper Mérimée
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Sunday, 19:00
Saturday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 19:00
Saturday, 19:00
Friday, 19:00
Act I
A bustling square in the city of Seville. Dragoon guards are watching over the crowd. Micaëla comes in search of Don José whose mother is sending him a letter through her. As José is not to be found, Micaëla leaves. José arrives with his company to relieve the guards. Female workers of the tobacco make their way from work through the square. Carmen the gypsy is among them. All the men are fascinated by her, but she refuses to love them back: she is drawn to the indifferent one, Don José. As she leaves, she throws at him a cassia flower. Micaëla returns. She and José reminisce about their native land. When Micaëla goes away, José reads his mother’s letter. He is decided to do as she says and marry Micaëla.
Suddenly the peace is disturbed: Carmen has started a quarrel with her fellow worker. Two fighting women are set apart, and José is to escort Carmen to jail. Carmen promises him her love if he helps her escape. José surrenders to her charm.