
Nikolai Rimsky-Korsakov

Alexander Tchaikovsky

Wolfgang Amadeus Mozart

Georges Bizet

Giacomo Puccini

Nikolai Rimsky-Korsakov

Mieczysław Weinberg

Pyotr Tchaikovsky

Giacomo Puccini

Giuseppe Verdi

Giacomo Puccini

Sergei Banevich

Nikolai Rimsky-Korsakov
Francesco Cilea

Sergei Prokofiev

Modest Mussorgsky

Dmitry Shostakovich

Richard Wagner
Camille Saint-Saëns

Pyotr Tchaikovsky

Gaetano Donizetti

Benjamin Britten. Camille Saint-Saëns

Georg Philipp Telemann

Hector Berlioz

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart

Jacques Offenbach

Sergei Prokofiev. Maurice Ravel

Tatiana Kamysheva

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart
César Cui. Igor Stravinsky

Richard Strauss

Gioachino Rossini

Dmitri Shostakovich

Gioacchino Rossini
Alexander Ostrovsky, music by Pyotr Tchaikovsky

Giuseppe Verdi

Anton Rubinstein

Richard Strauss

Grigory Frid. Udo Zimmermann

Benjamin Britten

Georges Bizet

Dimitry Rostovsky

Modest Mussorgsky

Umberto Giordano

Pyotr Tchaikovsky
Ruggero Leoncavallo
Andrei Rubtsov

Giuseppe Verdi

Wolfgang Amadeus Mozart

Alexei Verstovsky

Dmitry Shostakovich

Wolfgang Amadeus Mozart

In the summer of 1898, when work on the composition was at its peak, it was decided that the premiere would take place at Mamontov's Private Russian Opera in Moscow. The part of Marfa was written by the composer taking into account the voice of Nadezhda Zabela-Vrubel, who sang at Mamontov’s Opera. The premiere was held on the 22nd of October 1899. The performance designed by Mikhail Vrubel, was staged by one of the founders of the domestic opera directorship, Vasiliy Shkafer, who later held the position of head director at the Bolshoi.
The Tsar’s Bride is the ninth opera by N.A. Rimsky-Korsakov and his third reference to the historic dramaturgy of Lev Mei. The composer’s operatic debut was The Maid of Pskov (Pskovityanka), but a year before The Tsar’s Bride a one act opera The Noblewoman Vera Sheloga was created. The plays by Mei that had left the stage of drama theatres a long time earlier remained in the public consciousness due to the stupendous musical realisation of the operas by Rimsky-Korsakov.
Premiered on February 22, 2014.
Performed with one interval.
Libretto by Nikolai Rimsky-Korsakov and Ilya Tyumenev based on Lev Mey’s play of the same name
Sets based on the sketches by Fyodor Fedorovsky (1955)
Wednesday, 19:00
Tuesday, 19:00
Thursday, 19:00
Wednesday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Act I
The Carousal
Chamber in Oprichnik Grigory Gryaznoy’s house. Grigory is desperate: he has fallen passionately in love with Marfa, daughter of the merchant Sobakin, but she is already betrothed to the young boyar Ivan Lykov. In order to put his love out of his mind, Grigory called some guests to a drinking-party. One of them is the Tsar’s foreign physician Bomelius, the other is Lykov.
The guests arrive, led by Malyuta Skuratov, Gryaznoy’s friend. Lykov who just returned to Russia, tells the assembled company of the life abroad. The guests sing the praises of their sovereign, Ivan the Terrible, drink and dance.