Hector Berlioz
Alexei Verstovsky
Giuseppe Verdi
Mieczysław Weinberg
Richard Strauss
Wolfgang Amadeus Mozart
Alexander Ostrovsky, music by Pyotr Tchaikovsky
Nikolai Rimsky-Korsakov
Modest Mussorgsky
Nikolai Rimsky-Korsakov
Dimitry Rostovsky
Gioacchino Rossini
Pyotr Tchaikovsky
Jacques Offenbach
Richard Wagner
Gaetano Donizetti
Georges Bizet
Grigory Frid. Udo Zimmermann
Anton Rubinstein
Giuseppe Verdi
Georges Bizet
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Francesco Cilea
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Dmitry Shostakovich
Tatiana Kamysheva
Sergei Prokofiev
Dmitry Shostakovich
Nikolai Rimsky-Korsakov
Georg Philipp Telemann
César Cui. Igor Stravinsky
Umberto Giordano
Sergei Prokofiev. Maurice Ravel
Andrei Rubtsov
Giacomo Puccini
Benjamin Britten. Camille Saint-Saëns
Modest Mussorgsky
Giuseppe Verdi
Pyotr Tchaikovsky
Modest Mussorgsky
Gioachino Rossini
Alexander Borodin
Mikhail Glinka
Modest Mussorgsky
Sergei Banevich
Wolfgang Amadeus Mozart
Igor Stravinsky
Richard Strauss
Ruggero Leoncavallo
Pyotr Tchaikovsky
Modest Mussorgsky
Giacomo Puccini
Premiere of this production at the Mariinsky Theatre: 13 July 1952. Revival: 1 May 2000.
Will be premiered at the Bolshoi Theatre on 30 November 2024.
The performance has two intervals.
Libretto by Modest Mussorgsky
Orchestrated by Dmitry Shostakovich (1960)
Choreography by Fyodor Lopukhov
Set and costumes provided by the Mariinsky Theatre
Sunday, 19:00
Sunday, 12:00
Saturday, 18:00
Introduction. Dawn on the Moscow River.
Act I
Red Square in Moscow. Dawn. The boyar Shaklovity – a protégé of Tsarevna Sofia – is dictating an anonymous letter to Peter I in which he denounces the head of the streltsys (a privileged military core instituted by Ivan the Terrible) Ivan Khovansky for planning to place this son on the throne and re-establish the old order in Russia. At the same time, the streltsys scouts praise themselves for their recent victory over the loathsome boyars. In memory of these bloody events a column is erected on the square onto which the names of the executed are carved. Strangers just arriving halt at the column. They make the scrivener read out the words to them. In gloomy contemplation they are struck down by the thought of sedition and the streltsys’ despotism.