
Giacomo Puccini

Mieczysław Weinberg

Giuseppe Verdi

Pyotr Tchaikovsky

Giuseppe Verdi

Wolfgang Amadeus Mozart

Benjamin Britten

Grigory Frid. Udo Zimmermann

Carl Maria von Weber — Gustav Mahler

Nikolai Rimsky-Korsakov

Alexander Tchaikovsky

Giacomo Puccini

Alexander Dargomyzhsky

Richard Strauss

Wolfgang Amadeus Mozart

Giuseppe Verdi

Antonín Dvořák

Dmitri Shostakovich

Gaetano Donizetti

Pyotr Tchaikovsky

Sergei Banevich

Wolfgang Amadeus Mozart

George Frideric Handel

Georges Bizet

Pyotr Tchaikovsky

Gioachino Rossini

Dimitry Rostovsky

Giacomo Puccini

Richard Wagner

Richard Strauss

Nikolai Rimsky-Korsakov

Georges Bizet

Dmitri Shostakovich
Alexei Verstovsky

Anton Rubinstein
Guiseppe Verdi

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart

Georg Philipp Telemann

Sergei Prokofiev

Modest Mussorgsky

Antonio Salieri

Gaetano Donizetti

Benjamin Britten. Camille Saint-Saëns

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart

Gioacchino Rossini

Dmitri Shostakovich
Umberto Giordano

Modest Mussorgsky
Hector Berlioz

Giacomo Puccini

Jacques Offenbach

Sergei Prokofiev. Maurice Ravel

Wolfgang Amadeus Mozart

Nikolai Rimsky-Korsakov

Tatiana Kamysheva

“The opera Eugene Onegin will never be successful, I know it in advance. I will never find artists who can meet my requirements even approximately. The bureaucracy, the routine on our stages, the nonsense of productions, the system of keeping the disabled, not giving way to youth — all that makes my opera almost impossible to stage… This opera is deprived of the future!”
The modern audience might find it hard to imagine that a year before the premiere Pyotr Ilyich Tchaikovsky was so distressed about the coming fortune of his creation. The idea of writing an opera, based on “an encyclopaedia of Russian life” by Alexander Pushkin, was suggested to the composer by Yelizaveta Lavrovskaya, a singer and teacher at the Moscow Conservatory. Tchaikovsky wrote the opera quickly: just over six months passed from the origination of the idea (May-June 1877) to its realisation (the completion of the work was recorded on the 1st of February 1878).
Premiered on May 15, 2019.
Presented with two intervals.
Libretto by Pyotr Tchaikovsky and Konstantin Shilovsky based on the novel in verses of the same name by Alexander Pushkin
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Act I
Scene 1
With her devoted servant Filippyevna, the widowed Madame Larina sits on the garden of her country estate. Her daughters, Olga and Tatyana, sing a love song that reminds the older women of days gone by. Peasants coming from the fields bring freshly cut hay for their mistress and celebrate the completion of the harvest with songs and dances. Olga taunts Tatyana for failing to enjoy the festivities. Pale and shy, Tatyana remains pensive and apart, wrapped in the fantasy of her beloved novels. As the peasants leave, the poet Lensky, Olga’s suitor, and his worldy friend Eugene Onegin arrive. When Madame Larina and Filippyevna enter the house, the four young people mingle, awkwardly at first. Then Lensky pours forth his love to Olga. Onegin, strolling with Tatyana, asks if she does not tire of her bucolic existence. Visibly upset by the handsome stranger, the girl answers with difficulty. As night falls, the two couples go in for dinner.