NOVAT presents
NOVAT presents
NOVAT presents
Rostov State Opera and Ballet presents
Rostov State Opera and Ballet presents
The Kasatkina and Vasilyov State Academic Classical Ballet Theatre presents
The Kasatkina and Vasilyov State Academic Classical Ballet Theatre presents
Rostov State Opera and Ballet production
The Kasatkina and Vasilyov State Academic Classical Ballet Theatre presents
The Kasatkina and Vasilyov State Academic Classical Ballet Theatre presents
Mariinsky Theatre production with participation of the Bolshoi Theatre Chorus & Orchestra
Mariinsky Theatre presents
Mariinsky Theatre presents
Mariinsky Theatre presents
Mariinsky Theatre presents
Mariinsky Theatre presents
Mariinsky Theatre production with participation of the Bolshoi Theatre Chorus & Orchestra and Bolshoi Opera Company Soloists on some days
Mariinsky Theatre presents
Mariinsky Theatre presents
Mariinsky Theatre presents
Leonid Gatov Krasnodar creative association “Premiere” presents
Gombozhar Tsydynzhapov Buryat State Academic Opera and Ballet Theatre production
Mariinsky Theatre (Primorsky Stage) production
Zazerkalye Saint Petersburg State Children’s Music Theatre production
Zazerkalye Saint Petersburg State Children’s Music Theatre production
Zazerkalye Saint Petersburg State Children’s Music Theatre production
Bashkir State Opera and Ballet Theatre production
Alisher Navoiy Bolshoi Theatre of the Republic of Uzbekistan production
Donetsk State Academic Opera and Ballet Theatre named after A. Solovyanenko presents
Donetsk State Academic Opera and Ballet Theatre named after A. Solovyanenko presents
A Life for the Tsar is not the first opera created in Russia, but it is the first Russian opera. That is no pun, but rather the essence of a turnabout that took place in in the history of Russian music following the premiere of this operatic masterpiece on 27 November 1836 at the Bolshoi (Stone) Theatre (the site is now occupied by the building of the St Petersburg Conservatoire). Operas had been written by Russian composers long before Glinka: The Carriage Accident by Vasily Pashkevich, The Miller Who Was a Wizard, a Cheat and a Matchmaker by Mikhail Sokolovsky and The Novgorod Hero Boyeslayevich and The Coachmen at the Horse Stage-Post by Yevstignei Fomin. But even Russian plots and the timid and enlightened pathos of these activities could not shed the genre of opera of its status as an imported product where everything – the dramaturgy, musical language and manner of singing – remained true to the “refined” Italian framework. Moreover, in the 18th century opera remained an entertainment for high society...
Premiere of this production: 30 May 2004.
The performance has two intervals.
Libretto by Yegor Rosen
Musical Director: Valery Gergiev
Stage Director and Set Designer: Dmitri Tcherniakov (2004)
Costume Designers: Dmitri Tcherniakov, Olga Lukina (2004)
Lighting Designer: Gleb Filshtinsky (2004)
Reconstruction of the dances of the Polish act based on the choreography by Sergei Koren and Andrey Lopukhov from the 1939 production is made by Elena Bazhenova (2022)
Directors of the reconstruction of the dances of the Polish act and the new version of the epilogue: Ilya Ustyantsev, Michail Smirnov (2022)
Costumes based on drawings by Fyodor Fyodorovsky (1954)
Scenography and videography of the Polish act and epilogue: Pyotr Okunev (2022)
Principal Chorus Master: Konstantin Rylov
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Act I
Ivan Susanin, his daughter Antonida and his adopted son Vanya are living happily among close friends and family in a remote part of Russia. Antonida is waiting for her fiancé Bogdan Sobinin to return from fighting enemies. Sobinin brings joyful news of Russia’s victories and asks Susanin to postpone his marriage to Antonida no longer. But Susanin considers the time is not right for celebrations and happiness: there is no peace and the future is uncertain. Only the news that there is a young Tsar stirs up the people and gives Susanin and his family hopes for the future.