Aram Khachaturyan
to music by Frederic Chopin
to music by Sergei Prokofiev
Cesare Pugni
Ludvig Minkus, Edouard Deldevez
to music by Pyotr Tchaikovsky Alfred Shnitke, Cat Stevens / Yusuf Islam
Herman Severin Levenskiold
Ilya Demutsky
Pyotr Tchaikovsky
Pyotr Tchaikovsky
Georges Bizet–Rodion Shchedrin
Yuri Krasavin
Ludwig Minkus
Yuri Krasavin
Arif Melikov
Alexander Glazunov
Sergei Prokofiev
to music by Valery Gavrilin
Adolphe Adam
Daniel-François-Esprit Auber
to music by Gabriel Fauré, Igor Stravinsky, Pyotr Tchaikovsky
Pyotr Tchaikovsky – Yuri Krasavin
Ludwig Minkus
Leo Delibes
Alexander Glazunov
to music by Anatoly Korolyov
Joby Talbot
to music by Alfred Schnitke and Milko Lazar
The premiere of Giselle was on the 28th of June 1841 at the Paris Opera. The starting point of the creation of the ballet, which was destined to become one the summits of choreographic art and outlive its time, was a legend about the Wilis. It was written down by a famous German poet, Heinrich Heine. A desire to realise it on stage was conceived by a poet, novelist, ballet lover and critic, Théophile Gautier. A preliminary version of the script, that was supplemented and adapted to the demands of ballet theatre by Jules-Henri Vernoy de Saint-Georges, also belonged to him. The music was written by Adolphe Adan, a talented and prolific composer who later entered the history of theatre primarily as the author of this ballet. The production was realised by Jean Coralli and the leading part was created by Jules Perrot, a dance teacher and by then the ex-husband of Carlotta Grisi, the first performer of this part.
Premiered on May 2, 1987.
Presented with one interval.
Wednesday, 19:00
Tuesday, 19:00
Thursday, 19:00
Wednesday, 19:00
Wednesday, 19:00
Tuesday, 19:00
Sunday, 14:00
Saturday, 19:00
Saturday, 12:00
Friday, 19:00
Sunday, 14:00
Saturday, 19:00
Saturday, 12:00
Sunday, 14:00
Saturday, 19:00
Saturday, 12:00
Wednesday, 19:00
Tuesday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 19:00
Sunday, 12:00
Saturday, 19:00
Act I
A small, peaceful village, bathed in sunlight. It is inhabited by simple, artless people. Giselle, a young peasant girl, is rejoicing in the sun, the blue sky, the singing of the birds and, most of all, in the happiness of pure, trusting love which has lit up her life. She is in love and is confident that she is loved. The gamekeeper, who is in love with Giselle, tries in vain to persuade her that Albrecht, her loved one, is not a peasant at all but a nobleman in disguise and that he is deceiving her.
The gamekeeper manages to steal into the cottage which Albrecht is renting in the village and here he finds a silver sword with a coat of arms on it. Now the gamekeeper knows for sure that Albrecht is concealing his noble origins.