Andreas Wolf is a regular guest at international opera houses and concert halls, working with conductors such as William Christie, René Jacobs, Andrea Marcon, Jérémie Rhorer, Raphaël Pichon, Maxim Emelyanychev, Peter Dijkstra, Jean-Christophe Spinosi, Alessandro De Marchi, Rinaldo Alessandrini, Paul Agnew, Ton Koopman, Hervé Niquet, Hans-Christoph Rademann, Ivor Bolton, Ludovic Morlot, Bertrand de Billy and Sylvain Cambreling.

In the season 2020/21, he appeared in staged productions of Bach’s Johannes-Passion at Oper Stuttgart and at the Théâtre du Châtelet in Paris, in Schubert’s Mass in G major and Saint-Saëns’ Oratorio de Noël with the Netherlands Radio Philharmonic and Vasily Petrenko, Handel’s Saul with the Bachakademie Stuttgart and in Acis and Galatea at Moscow’s Zaryadye Hall, in Bach’s Matthäus-Passion at the Palau de la Música in Barcelona and at the Bachfest Leipzig with Ton Koopman, in Handel’s Israel in Egypt with Le Concert Spirituel and Semele at the Festival de Beaune with Leonardo García Alarcón, Stravinsky’s Pulcinella with the MDR Sinfonieorchester, Haydn’s Harmoniemesse and Frank Martin’s In Terra Pax with Peter Dijkstra and the Netherlands Radio Philharmonic, and in Bach’s Johannes-Passion with the Orchestre Philharmonique de Radio France. He also recorded C.P.E. Bach’s Die Auferstehung und Himmelfahrt Jesu with the Vlaams Radiokoor.

Recent opera engagements include Jupiter/Platée at Semperoper Dresden and Oper Stuttgart, Leporello/Don Giovanni at the Tchaikovsky Concert Hall in Moscow, at La Monnaie in Brussels and Oper Stuttgart, Papageno/Die Zauberflöte at Teatro Real Madrid and the Grand Théâtre de Genève, Guglielmo/Cosi fan tutte at Teatro Real in Madrid, La Monnaie in Brussels and the Wiener Festwochen, Truffaldin/Ariadne auf Naxos, Zuniga/Carmen and Paolo Calvi/Die Gezeichneten at Bayerische Staatsoper Munich, Figaro/Le Nozze di Figaro at Teatro Real Madrid and the Opera national du Rhin Strasbourg, Falke/Die Fledermaus at Oper Stuttgart, Nanni in Joseph Haydn’s L’Infedelta delusa for the Festival d’Aix-en-Provence and Aeneas in Dido and Aeneas in New York and Moscow with Les Arts Florissants.

A sought-after concert artist, Andreas Wolf has performed Berlioz’ Messe Solennelle with Le Concert Spirituel in Versailles and at BOZAR in Brussels, Handel's Belshazzar with the RIAS Kammerchor and Akademie für Alte Musik Berlin at the Festivals in Salzburg and Beaune, in Oslo, Cologne and the Berliner Philharmonie, Mendelssohn’s Elias with the Hamburger Sinfoniker, Beethoven’s Messe in C-Dur with Het Residentie Orkest and with Choeur Accentus at La Seine Musicale Paris, Handel’s Alexander’s Feast with Concerto Köln under Ivor Bolton at Laeiszhalle Hamburg, Bach’s Messe in h-moll with the Chor des Bayerischen Rundfunks under Peter Dijkstra, with Concerto Köln at the Elbphilharmonie Hamburg, the Seattle Symphony and the Orchestra National de Radio France, Rocco/Fidelio with the Wrocław Baroque Orchestra, Ariodate in Handel’s Serse with Il Pomo d’Oro at Theater an der Wien and Théâtre des Champs-Elysées and Bach’s Weihnachtsoratorium with the Gothenburg Symphony Orchestra, Concerto Köln and the Chor des Bayerischen Rundfunks.