Born in Dresden, Pape has been a member of the Berlin State Opera since 1988, but considers New York’s Metropolitan Opera his operatic “home away from home.” Since his house debut in 1995, he has appeared at the Met in 18 roles and more than 160 performances, including four major debuts: Méphistophélès in Faust, Gurnemanz in Parsifal, Escamillo in Carmen, and the Old Hebrew in Samson et Dalila. But it was at the famous Unter den Linden – home of the Berlin State Opera – where Pape honed most of the great roles of his career.

Music Director Daniel Barenboim was an early supporter, and the Berlin State Opera has played host to Pape’s performances as King Marke in Tristan und Isolde; King Heinrich in Lohengrin; Sarastro in Mozart’s Die Zauberflöte; Pogner in Die Meistersinger; Rocco in Beethoven’s Fidelio; Fasolt in Das Rheingold; Hunding in Die Walküre; and the title role in Don Giovanni. The opera house was also the venue for Pape’s appearances as Ramfis in Verdi’s Aida; Figaro in Mozart’s Le nozze di Figaro; Leporello in Don Giovanni; and Orest in Strauss’s Elektra. In 2006 he expanded his repertoire to include the title role in Boris Godunov, which won him the title “Artist of the Year” from the German Critics Association.

Mr. Pape’s 2019/20 season highlights include Don Carlo and Parsifal at the Wiener Staatsoper; Don Carlo and Boris Godunov for Opéra national de Paris, Tristan und Isolde at the Staatstheater Wiesbaden, Die Lustigen Weiber von Windsor, Die Zauberflöte, the New Year’s Concert Galas singing Beethoven’s Symphony No.9 at the Staatsoper Berlin.

He also sang two Lieder recitals with pianist Camillo Radicke: at Graz’s Musikverein and at the Wiener Staatsoper.

His 2018/19 season included Tristan und Isolde at the Opéra Bastille, Elektra, Die Zauberflöte and Parsifal at the Wiener Staatsoper, Fidelio, Elektra, Die Zauberflöte, Macbeth and Tristan und Isolde at the Staatsoper Berlin, a new production of T.H.A.M.O.S. in Salzburg and Parsifal at the Bavarian State Opera.

In 2011, Pape released the album Wagner, a collection of favorite arias featuring the Berlin Staatskapelle conducted by Daniel Barenboim on the Deutsche Grammophon label.

Pape’s first CD of solo arias, Gods, Kings & Demons, was released in 2008 on Deutsche Grammophon with his hometown orchestra, the Staatskapelle Dresden conducted by Sebastian Weigle. The disc won a coveted “ECHO” award, the German equivalent of a Grammy.

Pape made his first DG recording when a childhood friend, Dresden composer Torsten Rasch, hand-picked him for Mein Herz brennt, a song-cycle based on works by the industrial rock group Rammstein. In addition, Pape has participated in a number of complete opera recordings, many available on DVD – including Die Zauberflöte with Claudio Abbado for DG. He sang his signature role – King Marke in Wagner’s Tristan und Isolde – on an EMI Classics CD starring Plácido Domingo. Pape joined tenor Rolando Villazón for a new recording of Verdi’s Requiem, released by EMI Classics in October 2009. In fall 2010, the Mariinsky label released Valery Gergiev’s first Wagner recording, Parsifal, which featured Pape singing the role of Gurnemanz.

Pape made his debut in Bayreuth as Fasolt in Das Rheingold in 1994; at London’s Royal Opera House, Covent Garden as King Heinrich in Lohengrin in 1997; at the Opéra National de Paris as King Marke in Tristan in 1998; and at the Lyric Opera of Chicago as Pogner in Die Meistersinger in 1999. He has sung at France’s Orange Festival; Glyndebourne; Carnegie Hall; Avery Fisher Hall; and with the touring Metropolitan Opera in Japan. He was one of a quartet of singers chosen by James Levine to participate in a unique “Schubertiade” at Carnegie Hall in 2004.

Pape received his musical education in Dresden as a member of the world-famous Dresden Kreuzchor, and completed his studies at the Dresden Conservatory. He first won international recognition when Sir Georg Solti invited him to sing Sarastro in a new production of Die Zauberflöte at the 1995 Salzburg Festival. Musical America named him its 2001 Singer of the Year, and in 2006 he was one of five leading figures in the world of opera honored by the Opera News Awards.