Soprano
Tatiana
Fedotova
Tatiana Fedotova

Born in Moscow. Graduated from the Gnessin College of Music and the Popov Academy of Choral Art in solo singing and then obtained a post-graduate degree there (class of Svetlana Chumakova).

In 2002 was accepted into the troupe of the Boris Pokrovsky Chamber Musical Theatre. Since 2018 has been a soloist of the Boris Pokrovsky Chamber Stage of the Bolshoi Theatre.

Awards

Gratitude of the Minister of Culture of the Russian Federation 

2015

Gratitude of the President of the Russian Federation “For a great contribution to the development of culture and many years of fruitful work”

2017
Repertoire
2024
2023
2022
Repertoire on Boris Pokrovsky Chamber Stage

The Nightingale (Le Rossignol by I. Stravinsky)

Linda (Linda di Chamounix)

Leila (Les pêcheurs de perles)

Shukhov's wife (One Day in the Life of Ivan Denisovich by A. Tchaikovsky)

Clarissa (Die drei Pintos by C. M. von Weber — G. Mahler)

Vitellia (La clemenza di Tito)

Fiorilla (Il turco in Italia)

The Prima Donna/Ariadne (Ariadne auf Naxos)

Servilia (Servilia)

Leonora (Leonora)

Anne (The Rake's Progress)

Groan, Rachel, Fury (The Rostov Mystery by D. Rostovsky)

Solo soprano (in Kazan Cathedral) (The Nose)

Donna Anna (Don Giovanni, ossia Il dissoluto punito)

The Queen of the Night, First Lady, Pamina (Die Zauberflöte)

Ismene (Idomeneo)

Susanna (Le nozze di Figaro)

Cleopatra (Giulio Cesare and Cleopatra)

Clarice (Il mondo della luna)

Lauretta (Gianni Schicchi)

Oksana (Cherevichki)

Fiordiligi (Così fan tutte)

Marfa (Lazarus, oder Die Feier der Auferstehung by F. Schubert — E. Denisov)

Bianca (The Taming of the Shrew by V. Shebalin)

Also in her repertoire

Madame Herz (Der Schauspieldirektor)

Hope, Hate, Archangel (The Rostov Mystery)

Adele (Die Fledermaus)

Sophie (Werther)

Violetta (La Traviata)

Leonora (Il trovatore)

Olympia (Les contes d'Hoffmann)

Marya Vlasyevna (The Voyevoda)

Gilda (Rigoletto)

Violetta (Das Veilchen vom Montmartre)

Tilberina (The Critic by C. V. Stanford)

Frau Fluth (Die lustigen Weiber von Windsor)

Performed in productions at the Kolobov Novaya Opera Theatre of Moscow.

Participated in concert cycles by Gennady Rozhdestvensky “Mozart’s Masses” and “Mozart and…” on the stage of the Tchaikovsky Concert Hall.

Collaborates with leading orchestras, such as the Tchaikovsky Symphony Orchestra under the leadership of Vladimir Fedoseyev, the State Academic Symphony Orchestra of the Russia n. a. Y. F. Svetlanov, the National Philharmonic Capella of Russia headed by Valery Polyansky and the Minsk Philharmonic Orchestra.

Discography

Participated in the recordings of the productions Idomeneo, Leonora, Lazarus, oder Die Feier der Auferstehung, Servilia (conductor G. Rozhdestvensky, the Boris Pokrovsky Chamber Musical Theatre), as well as the operas The Gypsies by D. Shostakovich, The Critic, or a Rehearsal of the same tragedy by C. V. Stanford, Symphony No. 3 for soprano and orchestra by M. Tippett (conductor G. Rozhdestvensky, the recording by the radio station “Orpheus”) and the symphonic cantata The Gods by B. Britten (conductor G. Rozhdestvensky, the recording by VGTRK “Culture”).

General partner of the Bolshoi Theatre — insurance company «Ingosstrakh»
Privileged sponsor of the Bolshoi Theatre — Tinkoff Bank
Privileged partner of the Bolshoi Theatre — GUM