Avakova
Born in Ufa. In 1994 graduated from the Ufa College of Arts, the departments of choral conducting.
In 2004 — from the Russian Gnessin Academy of Music in solo singing (class of Margarita Miglau) and later obtained a post-graduate degree there.
In 2003 was accepted into the troupe of the Boris Pokrovsky Chamber Musical Theatre. 2018-23 has been a soloist of the Boris Pokrovsky Chamber Stage of the Bolshoi Theatre.
Anne (The Rake's Progress)
Clarissa (Die drei Pintos by C. M. von Weber — G. Mahler)
Natasha (Danilov, the violist by A. Tchaikovsky)
Pamina (Die Zauberflöte)
Lauretta (Gianni Schicchi)
Illia (Idomeneo)
Zerlina (Don Giovanni, ossia Il dissoluto punito)
Maria (Lazarus, oder Die Feier der Auferstehung by F. Schubert — E. Denisov)
Parasha (Mavra)
Marzelline (Leonora)
She (OBSCURANTISTS. Symphony of despair by D. Shostakovich)
Mrs Podtochina’s daughter, Solo soprano (in Kazan Cathedral) (The Nose)
Mademoiselle Silberklang (Der Schauspieldirektor)
Maria Antonovna (The Government Inspector by V. Dashkevich)
Hope, Love, First Angel, First Child, Second Child, Fury, Hate (The Rostov Mystery by D. Rostovsky)
Little Cherry, Carrot (The Adventures of Cipollino by T. Kamysheva)
Lyudmila (The Pretty Demon by A. Zhurbin)
Parasya (The Fair at Sorochyntsi)
Liza Kalitina (Noble Nest by V. Rebikov)
Lauretta (Contract for Pulcinella with the Orchestra, or the Strangers Are Allowed by G. Pergolesi, I. Stravinsky)
Chatterer (Sergei Sergeevich Prokofiev — for children by S. Prokofiev)
Rowan (Let’s Make an Opera by B. Britten)
Drusilla (L'incoronazione di Poppea)
Soprano (Jubilee by S. Cortez)
Countess Rosina (Le nozze di Figaro)