
Nikolai Rimsky-Korsakov

Alexander Tchaikovsky

Wolfgang Amadeus Mozart

Georges Bizet

Giacomo Puccini

Nikolai Rimsky-Korsakov

Mieczysław Weinberg

Pyotr Tchaikovsky

Giacomo Puccini

Giuseppe Verdi

Giacomo Puccini

Sergei Banevich

Nikolai Rimsky-Korsakov
Francesco Cilea

Sergei Prokofiev

Modest Mussorgsky

Dmitry Shostakovich

Richard Wagner
Camille Saint-Saëns

Pyotr Tchaikovsky

Gaetano Donizetti

Benjamin Britten. Camille Saint-Saëns

Georg Philipp Telemann

Hector Berlioz

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart

Jacques Offenbach

Sergei Prokofiev. Maurice Ravel

Tatiana Kamysheva

Pyotr Tchaikovsky

Wolfgang Amadeus Mozart
César Cui. Igor Stravinsky

Richard Strauss

Gioachino Rossini

Dmitri Shostakovich

Gioacchino Rossini
Alexander Ostrovsky, music by Pyotr Tchaikovsky

Giuseppe Verdi

Anton Rubinstein

Richard Strauss

Grigory Frid. Udo Zimmermann

Benjamin Britten

Georges Bizet

Dimitry Rostovsky

Modest Mussorgsky

Umberto Giordano

Pyotr Tchaikovsky
Ruggero Leoncavallo
Andrei Rubtsov

Giuseppe Verdi

Wolfgang Amadeus Mozart

Alexei Verstovsky

Dmitry Shostakovich

Wolfgang Amadeus Mozart

Rusalka by Dvořák, one of the brightest examples of Czech musical modernism, arrived on stage at the dawn of the 20st century. The premiere was held on the 31st of March 1901. It was born at the time of a phenomenon of “new drama”: theatre stages were occupied by the naturalistic plays by Henrik Ibsen and the symbolic writings by Maurice Maeterlinck. The final “kiss of death” of Rusalka makes us remember the female characters of Oscar Wilde: a few years later Salome by Richard Strauss would appear on an opera stage.
Premiered on March 6, 2019.
Presented with two intervals.
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Act I
Wood nymphs merrily dance and sing along by the lake. Rusalka sits forlornly on the shore. When Rusalka’s father, the Water Sprite, asks what the matter is, she replies that she has fallen in love with a human, who comes often to the lake. Now she wants to become human herself and live on land to be with him. The Water Sprite warns her that humans are evil and full of sin. Rusalka insists, claiming they are full of love and have an eternal soul. The Water Sprite says she will have to get help from the witch Ježibaba. Rusalka calls on the moon to tell the Prince of her love. Ježibaba agrees to turn Rusalka into a human – but warns her that if she doesn’t find love she will be damned and the man she loves will die. Also, by becoming mortal, she will lose her power of speech. Convinced that her feelings for the Prince can overcome all spells, Rusalka agrees. The transformation is complete.
The Prince appears with a hunting party and sees the beautiful maiden by the lake. Even though she won’t speak to him, he is captivated by her beauty and leads her away to his castle.