
to music by Pyotr Tchaikovsky

to music by Georges Bizet and Rodion Shchedrin

Pyotr Tchaikovsky

Sergei Prokofiev

Adolphe Adam

Adolphe Adam

Ilya Demutsky

Arif Melikov


Aram Khachaturyan

Boris Asafiev

Alexander Glazunov

to music by Pyotr Tchaikovsky Alfred Shnitke, Cat Stevens / Yusuf Islam

Herman Severin Levenskiold

Cesare Pugni

Ludwig Minkus

Alexander Glazunov

to music by Alfred Schnitke

Pyotr Tchaikovsky

Ilya Demutsky

Yuri Krasavin

to music by Anatoly Korolyov

to music by Valery Gavrilin

to music by Gabriel Fauré, Igor Stravinsky, Pyotr Tchaikovsky

Ludwig Minkus

to music by Frederic Chopin

Ludvig Minkus

to music by Sergei Prokofiev

Leo Delibes

to music by Dmitri Shostakovich

to music by Edward Elgar, Philip Glass, Lera Auerbach and Eleha Kats-Chernin

Pyotr Tchaikovsky

Joby Talbot

The premiere of the ballet Onegin took place in Stuttgart on the 13th of April 1965. It was one of those full-length ballets, based on the plots from classical literature, which brought fame to choreographer John Cranko and the Stuttgart Ballet troupe, that he had headed in1961. The main parts at the premiere were performed by Ray Barra (Onegin), Marcia Haydée (Tatiana), Egon Madsen (Lensky) and Ana Cardus (Olga). Out of this ‘quartet’ of talents, it was Marcia Haydée who became most famous: an impressive international career and universal popularity awaited her. A muse of John Cranko, she became the first performer of many iconic roles in his ballets. Amongst them is the image of Tatiana, created by her, and having been an actress as well as an outstanding ballerina, she enriched her part with a significant dramatic depth.
Premiered at the Bolshoi Theatre on July 12, 2013.
Sunday, 14:00
Saturday, 19:00
Saturday, 12:00
Wednesday, 19:00
Tuesday, 19:00
Sunday, 14:00
Saturday, 19:00
Saturday, 12:00
Act I
Scene 1
Madame Larina’s Garden
Madame Larina, Olga and the nurse are finishing the party dresses and gossiping about Tatiana’s upcoming birthday festivities. Madame Larina speculates on the future and reminisces about her own lost beauty and youth.
Lensky, a young poet engaged to Olga, arrives with a friend from St. Petersburg. He introduces Onegin, who, bored with the city, has come to see if the country can offer him any distraction. Tatiana, full of youthful and romantic fantasies, falls in love with the elegant stranger, so different from the country people she knows. Onegin, on the other hand, sees in Tatiana only a naive country girl who reads too many romantic novels.