Suchkov
Born in Tula. Graduated from the Academic music school at the Moscow State Tchaikovsky Conservatory in 2010, in 2015 graduated from the Moscow State Tchaikovsky Conservatory, in 2017 completed his post-graduate studies there (Pyotr Skusnichenko’s class). In 2016 he did an internship at the Accademia del Maggio Musicale Fiorentino / Opera di Firenze (Florence, Italy).
In 2013 he made his Bolshoi Theatre debut as Baritone in production of Be in the Mood for Opera. From 2015-16 was a member of Bolshoi Theatre Young Artists Opera Programme, from 2016-22 became a guest soloist. Since 2022 has been a soloist of the Boris Pokrovsky Chamber Stage.
Since 2017 he has been soloist of the Perm Opera and Ballet Theatre.
From 2019-21 he was accepted into the troupe of the Kolobov Novaya Opera Theatre of Moscow.
Since 2022 he has been a soloist of the Nizhny Novgorod State Academic Opera and Ballet Theatre.
1st prize at the 3rd All-Russian Music Competition
1st prize at the Glinka International Vocal Competition
1st prize at the Boris Shtokolov International Vocal Competition
2nd prize at the Vishnevskaya International Opera Singers Competition
3rd prize at the 2nd All-Russian Music Competition
1st prize at the International Voice and Piano Duos Competition "Pianovoce"
1st prize at the 1st Georg Ots International Competition
3rd prize at the Minsk International Christmas Singing Competition
The Emperor (Le Rossignol by I. Stravinsky)
Stenio (Prokofiev's Maddalena)
Antonio Loustolot (Linda di Chamounix)
Zurga (Les pêcheurs de perles)
Lebedev (Weinberg’s The Idiot)
Morales (Carmen)
Second sailor (The Tale of Tsar Saltan)
The Second Actor, The Second Robber, The Lamplighter (Banevich’s The Story of Kai and Gerda)
Carlotto (Don Pasquale)
Laura’s Guest (The Stone Guest)
Second Mate (Britten's Billy Budd)
Baritone (Be in the Mood for Opera)
Onegin (Eugene Onegin)
Marcello, Schaunard (La bohème)
Giorgio Germont (La Traviata)
Gianni Schicchi (Gianni Schicchi)
Robert (Iolanta)
Dancairo, Escamillo (Carmen)
Marc-Antoine (Massenet’s Cléopâtre)
Sharpless (Madame Butterfly)
Leandro, Pantalone (The Love for Three Oranges)
Lord Enrico Ashton (Lucia di Lammermoor)
Guglielmo (Così fan tutte)
Silvio (Pagliacci)
Count Almaviva (Le nozze di Figaro)
Dr Malatesta (Don Pasquale)
Valentin (Faust)
Count Tomsky, Zlatogor (The Queen of Spades)
Renato (Un Ballo in Maschera)
His concert repertoire includes Orff’s Carmina Burana and Rachmaninov’s The Bells.
During his career he has collaborated with such directors as Igor Ushakov, Philipp Himmelmann, Timofey Kulyabin, David Alden, Yevgeny Arye, Constantinos Contocristos, Matthias Remus, Vladislavs Nastavševs, Marat Gatsalov, Philipp Grigorian, Konstantin Bogomolov, Paul Higgins, Vasily Barkhatov, Dmitry Belyanushkin, Vadim Milkov, Sergei Novikov.
He has performed with conductors such as Gennadi Rozhdestvensky, Teodor Currentzis, Igor Dronov, Tugan Sokhiev, Michał Klauza, Rossen Gergov, Artyom Abashev, Vladislav Lavrik, William Lacey, Jonathan Bloxham, Johan Stuckenbrook, Anton Grishanin, Pyotr Belyakin, Valentin Uryupin, Anatoly Levin, Dmitry Volosnikov, Valery Kritskov, Andrei Lebedev, Alexei Vereshchagin, Mikhail Tatarnikov, Mihran Aghajanyan, Airat Kashaev, Dmitry Sinkovsky, Alexander Petukhov, Konstantin Chudovsky, Ivan Velikanov, Fyodor Lednyov, Hetag Tedeev.